Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

Mr. Holmes (PG)

Directed by: Bill Condon
Starring: Ian McKellen
July 2015

This review was originally tweeted in Real-time from the back row of a movie theater and appears @BackRoweReviews. Though efforts were made to tease rather than ruin this movie’s memorable lines and moments, some spoilers may exist in the following evaluation. The original tweets appear in black, while follow-up comments appear in red. For concerns over objectionable content, please first refer to one of the many parental movie guide websites. All ratings are based on a four star system. Happy reading!

Mr. Holmes

“It isn’t a bee, it’s a wasp. Different thing entirely.” The essence of distinctions.
And, as we learn in the film, wasps kill bees. Oh, and that bees leave their stingers in their victims while wasps leave painful welts.

“It’s usually about his wife.” Holmes teaches Roger the #ArtOfDeduction.
Actually, this is more life experience than deduction. If a man is hung up over something, 9 times out of 10 it’s a woman.

“And if I forget to make the mark?” Practical as ever.
The scene later in the movie, where we see the journal filled with black dots, is absolutely horrifying. The mind is a terrible thing to waste, especially when it’s one as brilliant as Holmes’.

Never heard of a #GlassHarmonica. I usually just rub my finger over the mouth of a drinking glass.
And, truthfully, I’m not even very talented at that.

“We do not like wasps.” Something the young and old can both agree on.
The relationship between Holmes and Roger is one of the movie’s many highlights.

“I prefer facts.”
As Dragnet’s Joe Friday would say, “Just the facts, ma’am.”

Holmes finds #PricklyAsh amid the horrific remains of Hiroshima.
Fascinating, and bitterly ironic, that a substance that improves memory should grow in an area of the world that many would choose to forget.

Holmes watches a movie based on one of his cases. His review: #PureRubbish.
Of course, since Holmes himself is fictional, the detective watching himself on the big screen is utterly ludicrous.

“I can’t remember.” Holmes like we’ve never seen him before.
We’ve seen Holmes in the throes of an addiction (Nicholas Meyer’s 1976 film The Seven-Per-Cent Solution) before, but never in the grip of Alzheimers. It’s a totally compelling, and heartbreaking, portrayal of a once indomitable private detective.

“A good son always does what his mother asks.”
Good advice for sons of any age.

“Don’t say everything you think.” #LifeLesson
If you don’t have anything nice to say, don’t say it at all. Remember that chestnut from your youth?

Burn, wasps. Burn!
Actually, other than Holmes’ poor memory, the wasps are the only antagonists in the film.

“My first foray into the world of fiction.” And it’s a good one.
And more factual (if fictitious) than Watson’s accounts, as we’re lead to believe by Holmes.

Final analysis: a deeply moving portrait of a once formidable detective in the throes of losing his faculties.
A totally unique take on the character and one that hits the mark, thanks in large part to its incomparable star.

3 1/2 out of 4 stars. McKellen is mesmerizing in this first-rate, though slowly paced, #DraMystery.

One thing there’s always been an abundance of throughout film history is sequels, and one of the longest running series of all time spotlights London’s preeminent caper solver, Sherlock Holmes. The master detective has been portrayed in over 200 films by over 70 top tier actors, ranging from Basil Rathbone to Robert Downey Jr. Although characterizations have contained minor variations in mannerisms and style, Holmes has been played fairly consistently over the years: confident, irreverent and snobbish, with an encyclopedic knowledge and preternatural insight into human beings and the natural world around them. By contrast, something we’ve never seen before, until this film, is a Holmes who isn’t in complete command of his mental faculties. A Holmes with Alzheimers is just as compelling (perhaps even more so), than a kryptonite crippled Superman. Since Holmes’ greatest asset is his brain, his aggressive memory loss reduces him to a pitiable, tragic figure—a mere shadow of his former self. However, what makes this vivid character portrait even more fascinating is that even though Holmes’ memory is failing him, his powers of deduction are still razor sharp. So who could possibly pull off such a complex role while also infusing it with the necessary vulnerability, sagacity and…magic? Why, a living, breathing wizard, of course. Ian McKellen’s performance is a study in brilliance; he fits the part of the aging investigator so well that it seems as if he were born to play Holmes. The main thrust of the movie revolves around Holmes’ final case—the one that inexplicably sent him into early retirement when he had plenty of good sleuthing years still ahead of him. Snippets of that case are woven into the tapestry of the narrative in a series of flashbacks. Holmes, channeling his inner John Watson, puts pen to paper and tries to piece together the events of his concluding conundrum in narrative form. There’s one crucial detail of his initial investigation that evades Holmes’ every effort to isolate it inside the prison of his mind. This elusive clue becomes a MacGuffin of sorts and its eventual unveiling reveals a heartrending tragedy. The bitter knowledge that successfully solving a case doesn’t always guarantee a positive outcome for all parties involved drives Holmes from his flat on 221B Baker Street to a country cottage, where he hangs up his deerstalker hat for good. Whereas the intermittent vignettes of Holmes’ ultimate intrigue serve as the spine of the movie, it’s Holmes’ interactions with his housekeeper (Laura Linney) and her son Roger (Milo Parker) that grounds the movie and shows us a human side to the character that we’ve rarely, if ever, seen before. Though the pacing is slow at times, the insightful flashbacks and clever planting of clues should hold the attention of most audience members. Of course, the period accurate details, gorgeous locations and stellar performances should also keep viewers engaged and entertained throughout the movie. Bottom line: this film portrays Holmes in a way we’ve never seen before, thanks in large part to an added depth of character and reassuring measure of his humanity. I deduce that this film will be well regarded by critics and will even gain Oscar’s attention. We’ll see how accurate my inner Holmes proves to be.