Starring: Ben Burtt
“Animated Triumph Takes Us to Infinity and Beyond”
The latest feature film from Disney/Pixar may be an animated movie, but it certainly isn’t a kid’s movie. That’s not to say that kids won’t enjoy it or that it’s inappropriate for children, because that certainly isn’t the case. What I mean is that Pixar has delivered its most adult film to date; a hauntingly beautiful, elegantly whimsical and poignantly instructional CGI tour de force.
WALL-E tells the story of the last “living thing” on earth (other than cockroaches, of course) after humans abandoned their trashed and thrashed home world in search of greener pastures in the heavens. WALL-E (Waste Allocation Load Lifter-Earth), the eternally curious, binocular-eyed robot, has been assigned the unenviable task of cleaning up the desolated surface of our planet all by himself. WALL-E’s existence is fairly routine—gathering trash, compacting refuse into waste cubes and constructing veritable mountains out of the cubes—until a mysterious ship literally lands on top of him. The alien vessel dispatches a probe and quickly shoots back into space.
WALL-E is immediately stricken by the alabaster, egg-shaped probe, whom he soon learns is named EVE (WALL-E pronounces her name “Eva”). EVE barely acknowledges WALL-E’s existence until, in a desperate act to impress the mission-minded probe, WALL-E presents EVE with a gift—the solitary shoot of a plant potted inside an old boot. EVE snatches the plant, stores it inside one of her compartments and immediately shuts down. Try as he might, WALL-E fails to snap EVE out of her self-imposed trance; EVE is completely lifeless, save for a green flower symbol flashing on her sleek surface. Once again, WALL-E is relegated to a life of loneliness.
From that brief synopsis of the movie’s opening act, many would perceive WALL-E to be a dark, dismal, despondent, dystopian yarn, but nothing could be farther from the truth. I know this is quite a boast, but WALL-E has more heart than any previous Pixar picture, which is ironic since it prominently features emotionless, whirring robots as its main characters. Some humans appear in the story, but they certainly don’t resemble our race at present, although the story is clearly warning us against becoming the shallow, convenience and consumer-driven society portrayed in the film. WALL-E, set 700 years in the future, is clearly a cautionary tale, but instead of simply leaving humans to wallow in the slough of our own making, the film illustrates the indomitable spirit of our race; the film powerfully illustrates humanity’s ability to adapt and aspire. Of the few lines of dialog in the film, the best one comes from the captain of the space cruise liner, Axiom. Once his eyes are opened to how life was on Earth, pre-apocalypse, the captain exclaims, “I don’t want to survive, I want to live!”
At the heart of the film is the improbable, unconventional, yet deeply moving romance between WALL-E and EVE. Built upon sacrifice and simple acts of kindness, their artificial relationship is more emotionally resonant than the majority of human love affairs that populate modern cinema. I never thought I’d tear up at an animated film, especially one centered on two lovebird robots, but at times I couldn’t help it. So great is Pixar’s mastery of narrative, and anthropomorphized characters, that it can seemingly control a spectator’s emotions at whim. Pixar artisans are truly digital alchemists.
It almost goes without saying that the movie’s animation is stellar, but Pixar has taken CGI to new heights in WALL-E, especially during the beautifully choreographed fire extinguisher in space sequence. Pseudo-documentary quick zooms infuse the prologue with some energy and the Chaplin-esque physical humor, along with Ben Burtt’s inspired vocalizations, makes for some captivating and amusing vignettes, like when a confused WALL-E places a spork in-between his spoon and fork collections.
From the movie’s lyrical opening to its unconventional resolution, WALL-E is an instant masterpiece and a triumph in feature length animation. What started out as the most dubious Pixar film, judging from the film’s insular trailer, has turned out to be the studio’s most ambitious effort with the biggest payoff; the film is, hands down, the most profound animated movie ever made and very nearly qualifies as the Citizen Kane of its form. Though unabashedly bleak in spots, WALL-E is an affirmation and celebration of life in any form, even the most inconsequential. Hand over the Oscar for Best Animated Movie. WALL-E is out of this world!
Rating: 3 1/2