Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

A Quiet Place (PG-13)

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Directed by: John Krasinski
Starring: Emily Blunt
April 2018


Warning! This is NOT a movie review. This is a critique of the film. Intended to initiate a dialogue, the following analysis explores various aspects of the film and may contain spoilers. Views are my own and elaborate on comments that were originally tweeted in real time from the back row of a movie theater
@BackRoweReviews. For concerns over objectionable content, please first refer to one of the many parental movie guide websites. Ratings are based on a four star system. Happy reading!


The Premise:

A family struggles to survive in a post-apocalyptic world where making the slightest noise can attract the attention of carnivorous creatures.

The Evaluation:

Normally a movie inundated with this much hype would collapse under the weight of the insurmountable expectations placed upon it. Since the trailer looked so intriguing, it comes as a great relief that
A Quiet Place delivers on its promise—it’s a thought-provoking, spine-tingling good time. John Krasinski does triple duty (actor, writer and director) on this horror/thriller/sci-fi hybrid. The linchpin to the film’s success is its premise. In a dystopian world, aliens have invaded Earth and wiped out a large percentage of the human population. The good news is that the creatures are blind. The bad news is that they have super-sensitive hearing. To safeguard against being attacked, the Abbott family learns to communicate by speaking in hushed tones or using sign language. Though the movie is disciplined at following the strictures of its self-imposed rules, the concept certainly has its fair share of nitpicks. First, how is it possible to run a farm without making any noise? Also, when approaching humans, wouldn’t the creatures hear breathing, however controlled, or a rapidly beating heart (yes, what we learn during the waterfall scene significantly weakens this argument, but the criticism holds up when the creatures are at close range)? Raising kids under such strict conditions would be a monumental task—no frolicking in the front yard or roughhousing in the living room. And, as if that wasn’t hard enough, how in the world would you bring up a baby in such an environment (a similar grievance was raised by fans of The Walking Dead over Rick’s baby, Judith, being raised during the zombie apocalypse)? As the creature closes in on Blunt and her baby, and later, Blunt and her daughter, it can’t quite locate the humans in either instance. So then, are we to believe that these blind creatures also have no sense of smell? These minor gripes are forgivable. What mars the movie most is the climactic sacrifice, which could’ve been prevented if one of the characters had been as quick on the uptake as the audience. Fortunately, this is the movie’s only instance of flaccid plotting. There are many parallels between this film and Signs (2002). Aside from both movies featuring an alien invasion storyline, cornfield encounter and farmhouse showdown, the aliens in both movies have one fatal weakness—a plot device borrowed from the original The War of the Worlds (1953). Also pilfered from Worlds is the “aliens travel in trios” concept, which is particularly relevant here since the minimum number of points required to triangulate the location of a sound is three. Though the movie’s creatures are reminiscent of the ones in Alien (1979), they do have a unique design (See: Visual FX). Despite its many similarities to other horror films, Quiet features one of the most clever and original concepts in the history of the genre. So, will this Signs meets Aliens post-apocalyptic chiller stand the test of time? Time will tell. One thing’s for certain, in Krasinski’s world, everyone can hear you scream.

The Breakdown:

Directing- Krasinski’s craft is impeccable—he channels Hitchcock and Shyamalan to great effect. Some of the moments Krasinski creates are utterly terrifying, like the baby in the basement sequence.

Acting- Emily Blunt mesmerizes in a physically demanding role—she had to stand in water for a good portion of the movie. Blunt effectively conveys a range of emotions without speaking for most of the movie. Likewise, Krasinski delivers a marvelously measured performance—the scene where he slowly raises his finger to his lips, signaling others to remain silent, will go down as an iconic image in cinema history. He’s come a long way from his days as Jim Halpert on The Office. The child actors (Millicent Simmonds and Noah Jupe) also do excellent work in challenging, largely non-speaking roles.

Story- A difficult screenplay to write and execute, but handled with expert skill by Bryan Woods, Scott Beck and Krasinski. With a dearth of dialog, most of the action had to be described in detail in the script or storyboarded.

Costumes/Make-up- Functional and appropriate for the world the characters live in.

Cinematography- Charlotte Bruus Christensen does a superb job of capturing the pastoral landscape and the action sequences inside and outside the farmhouse. There are many memorable scenes in the movie, particularly those involving the bridge, silos, fields and basement. The sweeping shots atop the silos help to establish the terrain and atmosphere of the agrarian world the characters have been relegated to. The rows of white or red lights also make a striking visual.

Music- The film’s eerie mood is further enhanced by Marco Beltrami’s ethereal score which, like the characters for most of the movie, goes largely unnoticed.

Visual FX- Truly astounding creature FX—the next iteration of the Alien creature is jaw-dropping, literally. The design of the creature’s malleable head is ingenious and sets up the movie’s most memorable visual during the climactic confrontation. These FX should be a shoo-in for an Oscar nod.

Production Values- Certainly not a lavish production, since most of the movie takes place in or around the farmhouse. However, the set design for the plundered general store, work station inside the basement and silos is truly exceptional.

Movie Magic- Off the charts. This is a wholly immersive experience that draws you into the movie’s terrifying reality and thoroughly enthralls you with one thrilling sequence after the next. Quiet is a high art horror flick that will be certified as an instant classic.

Rating: 3 1/2 out of 4 stars