Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

Valkyrie (PG-13)

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Directed by: Bryan Singer
Starring: Tom Cruise
December 2008

“Riveting Slice of WWII History Hits Its Target”


A decorated, raven-haired soldier walks into a room filled with debating officers, surreptitiously places a handbag under the conference table and slowly backs out of the room. A few minutes later, the building explodes behind the escaping soldier. Inside the burning building are the strewn bodies of the chancellor and his top military advisors. Hitler is dead!

Sounds like a fictional story, right? Like they say, truth is often stranger than fiction. In reality, the above incident, dubbed Operation: Valkyrie, was just one of several failed assassination attempts made on the fuhrer’s life. The new movie based on this pulse-pounding chapter in World War II history is titled
Valkyrie and is directed by Bryan Singer (X-Men).

The soldier in charge of the Valkyrie mission was Colonel Claus von Stauffenberg, a German officer with divided loyalties, willing to risk it all in order to end the tyranny of the 3rd Reich. In the movie, Stauffenberg is played by Tom Cruise, a dubious choice at first mention but a casting coup upon further reflection (take a look at the astoundingly similar side-by-side profile photos of Stauffenberg and Cruise at this film’s wikipedia page). Cruise, known for action roles more than psychological dramas, turns in a fine performance as the conscience driven soldier who can no longer stand by and allow Hitler’s atrocities to continue unimpeded. Cruise is surrounded by a dizzying array of A-list talent that’s essentially a who’s who of accomplished British actors, including: Kenneth Branagh, Bill Nighy, Tom Wilkinson, Terence Stamp, Eddie Izzard and Bernard Hill.

Although the set-up is a tad slow at times, the story starts to snowball once the assassination plot is formulated and set into motion. There’s a good deal of political intrigue and nail-biting suspense throughout, and the execution of the plan is an exercise in high anxiety. There’s bound to be a Murphy’s Law factor to any set of “best laid plans,” but the stakes here are impossibly high for Stauffenberg and his fellow conspirators: failure is tantamount to death. The drama reaches edge-of-your-seat intensity when the mission starts to unravel and Stauffenberg is forced to make choices that will eventually seal his fate.

A few months before seeing this film, I watched a documentary on the subject entitled
Operation Valkyrie: The Stauffenberg Plot to Kill Hitler. With the accurate details of the actual mission fresh in mind from this presentation, I went into the movie expecting to find the usual fact fudging or creative embellishments that accompany far too many big screen adaptations of true historical stories these days. I must admit to being impressed and pleasantly surprised by Singer’s and writing duo Christopher McQuarrie and Nathan Alexander’s painstaking adherence to the recorded facts from the real-life account.

Singer’s attention to historical accuracy also extends to the movie’s finely mounted production elements, which populate every inch of the big screen in
Valkyrie. Sets, props and costumes are all period appropriate and draw the audience into Stauffenberg’s world with their authenticity; noticeable flaws or inconsistencies would similarly take the audience out of the movie’s mesmerizing action. The virtually identical reconstruction of the Wolf’s Lair sets is awe-inspiring and many of the scenes in Berlin and the German forest were shot at the exact same locations where the actual events took place.

It’s a testament to the arresting events of the factual story that it can so effectively sustain viewer interest throughout its two hour running time. Likewise, it’s a testament to Singer’s unwavering vision—which has realized the Stauffenberg plot in exacting detail while also adding the visual urgency and narrative expediency befitting a big screen adaptation of such a crucial chapter of WWII history—that the story works at all in its cinematic form. Those who go in expecting all-out action (and the casting of Cruise is certainly disingenuous on this account) will surely be disappointed by this psychologically and politically complex docu-drama, but for those who can sit through the denser intrigue in favor of its suspenseful action scenes will find a film that educates while it entertains. If only there had been more men of conviction like Stauffenberg to stamp out the evil and injustices committed in our generation. If only…

Rating: 3