Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

Trouble with the Curve (PG-13)

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Directed by: Robert Lorenz
Starring: Clint Eastwood
September 2012

There were rumors that
Gran Torino (2008) would be Clint Eastwood’s swan song as an actor, but fortunately the lovable curmudgeon is back in the saddle in Trouble With the Curve, a middling baseball yarn directed by Robert Lorenz. Here, Eastwood plays a crusty baseball scout who’s too proud to get an eye surgery or use a computer for stat analysis, despite his daughter’s (Amy Adams) incessant urging to get ocular support for the former and his boss’ (John Goodman) eternal consternation over the inefficiency of the latter. Adams is an up-and-coming lawyer who can spit out baseball stats like Vin Scully…a chip off the old block, though her career choice is a disappointment to Eastwood, who had trained Adams from her youth to eventually fill his shoes. Justin Timberlake, who’s a rival to Eastwood and love interest for Adams, introduces a change up element into the middle of the plate narrative. Or to put it another way, the story would’ve been pretty vanilla without Timberlake’s twist of wild cherry.

One of the major plot points involves a young slugger who has a ton of talent and confidence, but also plenty of attitude and arrogance to match. Goodman, along with front office staffers Robert Patrick and Mathew Lillard, must decide whether or not to draft the young phenom over Eastwood’s objections concerning the player’s dubious potential. But with failing eyesight and archaic scouting methods are Eastwood’s evaluative skills to be trusted with a big paycheck on the line?

Trouble sets up well with Eastwood’s physical impediments, Adams’ struggle to make partner at a law firm while helping out stubborn dad, Timberlake’s hero worship of Eastwood and schmoozing of Adams and Goodman’s constantly challenged loyalty to Eastwood by Patrick and Lillard. There are some good character moments throughout, like Eastwood’s utter inability to have a conversation with Adams about anything other than baseball. An insider’s look at the baseball scouting process and interactions between scouts and the front office is mildly diverting, and the character beats are marginally intriguing, but the film, much like the young man being scouted, fails to deliver on its potential.

The trouble with the film is its ending: contrived to the point of absurdity, the populist notion that a kid who’s never played on a baseball team can strike out a slugger at the top of the draft class is reassuring and heartwarming, but utterly ludicrous. Adams’ decision to leave behind a promising career in law to follow in daddy’s footsteps is also oversimplified and overly idealistic. It’s just another populist climax for viewers who get off on that type of roses and rainbows ending. Also, and not that a film must always tie up all of its loose ends, but we never learn if Eastwood undergoes eye surgery or if he decides to stay with the game or retire.

With the film’s pedigree I expected a lot more from it; maybe not
Field of Dreams (1989) but perhaps something comparable to The Rookie (2002). Unfortunately, this film isn’t as magical as the former or as inspirational as the latter. Trouble has a few solid innings, but strikes out in the end.

Rating: 2 1/2